Particulate Matter
Artwork: Katrin Davis
Tanka: Tish Davis
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Raising awareness of global concerns through a marriage of the arts.
Artwork: Katrin Davis
Tanka: Tish Davis
By: Anna Cates, Wilmington, Ohio
and Steve Van Allen, Cincinnati, Ohio
even on gray days
the sun fights to silver sheen
beyond cloud cover
We held the door for a lady, dragging two wheeled suitcases, balancing a shopping bag on one. Her long black coat was nice, years ago. She parked her bags inside the door and shuffled to the counter. “I have 4 dollars,” dragging wrinkled ones from a pocket.
“Keep your money; I’ll cover it,” said the manager.
We took our order and began eating. When the manager swung by our booth, we thanked her.
“I’m from Louisiana. I was homeless, and an addict. I know,” she said.
The lady talked to her meal as she ate, and when she was through, wheeled all her worldly goods out the door.
first snow
disappearing with her
silent dreams
By Jenny Ward Angyal
Gibsonville, NC, USA
forests
burning far away
I bow
to the wood thrush
singing orisons unseen
I follow a path along the brook, through mountain laurel and rhododendron. The stone hut stands half-hidden among the trees, its roof green with moss. Thick, curved walls enclose an oval of coolness in the summer heat. Elliptical windows admit a little light. As my eyes adjust, I notice a message chalked on the sloping ceiling:
maybe
the world isn’t dying . . .
maybe
she’s heavy
with child
*Note: The second tanka is a ‘found poem.’
~From my book Earthbound: Tanka-Prose & Haibun, 2022
By Jenny Ward Angyal
Gibsonville, NC, USA
I used to think
it would last forever—
the swallows
coming home each year,
the green hills blossoming
on my path
one pure white feather
I carry with me
news of a dying planet,
a widening war
the bridge
across the creek—
I cannot see
the barred owl
calling from the other side
a water strider
dimples the surface,
an otter
rises and vanishes . . .
the stream flows on
spring beauties bloom
among tiny handprints
in the mud
I kneel on the bank
of the passing moment
~First published as the Afterword to A Worn Chest by Joy McCall & Tom Clausen, 2022
Reprinted in my book The Wind Harp: Tanka Pentads, 2023
By Jenny Ward Angyal
Gibsonville, NC, USA
Hokusai painted them, Issa wrote about them, and Mao did his best to exterminate them.
It’s true that Eurasian tree sparrows gorge themselves on spilled grain. So, during the Great Leap Forward, the Four Pests Campaign encouraged schoolchildren to kill as many sparrows as they could, tearing up nests and smashing eggs. People beat pots and gongs to drive them from their roosts until the birds dropped from exhaustion. A billion sparrows died. With few birds left to eat them, hungry locusts swarmed through grain fields and rice paddies. Upwards of forty million people starved.
gazing
into Pandora’s box—
nothing left
but a tattered feather
and a mirror full of cracks
By Carissa Coane
California, United States of America
By Theresa Cancro
Wilmington, Delaware, USA
murky lake . . .
long tears cloud
the buffalo’s eye
By Jenny Ward Angyal
Gibsonville, North Carolina, USA
Long ago, in a sacred valley where Inca kings and mountain glaciers reigned, there was a garden made of gold. A golden tree with silver leaves that danced and glittered in the breeze. Golden beasts and birds and flowers from across the empire. Stalks of maize with golden kernels. A jaguar from the Amazon, golden eyes gazing at the llamas and alpacas with their fine golden fleece. And all around, the walls of the Coricancha covered in sheets of gold, glowing in the sun.
Spanish conquistadors blundered into the garden, eyes alight with greed. Some made passing mention of its wonders in the chronicles they wrote, but no one took the time to draw pictures of the shining icons, nor even make a list of what was there. They gathered up the precious metal and melted it all down.
black gold
burning in our furnaces—
the ice caps
melting into streams
like crystal tears
By Jenny Ward Angyal
Gibsonville, North Carolina, USA
A glimpse of white wing bars, half hidden among juniper and honeysuckle. Uncertain, I find a picture on my phone and the app plays several notes of a song. At once a tiny being—no more than a quarter of an ounce—confronts me, scolding loudly, warning me away from a world that belongs to him.
sunlit hedgerow—
the kinglet reveals
his ruby crown
By Jenny Ward Angyal
Gibsonville, North Carolina, USA
all of us
from blowfly to blue whale
birthright citizens
of a dying planet . . .
who will have the last word?
By Melissa Dennison
Bradford, Yorkshire, England
From boreal forests in the Arctic Circle to Hawaii and Malibu, every year more and more of our planet is burning.
By Florence Heyhoe
County Down, Northern Ireland
fewer butterflies—
places at the table
emptied by war
By Florence Heyhoe
County Down, Northern Ireland
lipstick —
the cosmetic trade
flaying donkeys
Further reading: End the Donkey Skin Trade
By Rebecca Drouilhet
Picayune, Mississippi, USA
the urge
to flow beyond my banks . . .
a drop of water
longing to go
where oceans rise and fall
By Carissa Coane
California, United States of America
Daughter, is it fair to keep you,
knowing what you will inherit?
Will you understand the stories I read to you,
skin as white as snow, lips as pink as roses?
Will there be roses at all, petals for you to pluck,
grass to stain your knees, trees to climb?
I used to think Mother Nature was a real person, like Santa,
that she breathed life into every seed.
And even with shriveled hands, lines cut into her face,
she was radiant, peaceful, eternal.
(Santa, what will I tell you about him?
The North Pole gone liquid, But what about the reindeer? You’ll ask.
Will you ever know the scent of pine mingling with cookies from the oven,
Will you even know trees? Winter? Cold?)
–
Six months since I first bled;
at fifteen, I’m a late bloomer (will you understand this metaphor, anthesis, tulips in April?).
Six weeks without even a cramp,
until I finally took notice.
I never thought we’d meet like this,
an extra line on a plastic stick, your first introduction.
I’ve heard my generation is the first to have a lower quality of life than our parents.
What will become of yours, I wonder?
–
It is the purpose of life to create more life, I learn in biology class,
every quirk of my body by design,
every impulse and thought predestined,
my entire existence optimized for you.
I optimize myself in other ways, too-
stuffing in my bra, glitter smeared on my eyelids.
I buy sustainable skincare from my favorite actress;
her jet emits 5,000 tons of carbon per year.
One of my friends is already saving up for implants,
she wants her breasts to look like this forever!
Centuries from now, twin discs of silicone will remain,
a testament to her everlasting beauty, Greek sculpture of the modern age.
Yet in all our artifice, it remains the ultimate compliment
for a woman to be a flower, a summer’s day, a pearl; true perfection is only of the earth.
And like her, we are stripped, hacked up, pruned,
made into objects to be consumed, insisting it is of our own volition all the way.
Forests cut down for the profit of corporations, ribs removed from waists.
Fluid pumped into bedrock, acid injected into lips.
Ostensibly, these procedures done to maximize our potential.
To attract investors, suitable mates, the most natural of all things turned synthetic.
Seduction is a game we play, one with niceties and unspoken rules.
But what will happen when mass displacement, scorching summers, lack of food,
make all of our customs and manners wither away,
and woman, once prized possession, loses all choice in her objectification?
As in crises past, girl becomes prey.
Only we will have no allies, no sanctuary, no hope of peace.
Even beauty, charm, the things we have spent our whole lives pursuing, turned meaningless,
attempts to evoke mercy as fruitless as the once-abundant trees.
–
My whole life culminated in your creation,
you are my destiny, my bloodline, my raison d’être.
How can I let you fight,
when I know I can never shield you?
–
Once you’re my age, will there still be clean air to breathe, fresh water to drink?
Are you only truly safe in here, size of a lentil, lodged somewhere below my stomach?
–
Before she was a Mother, was Nature a girl too?
If she had known what would happen to her, her daughters,
would she have chosen to carry them at all?
Without begonias and beaches she might have been bored,
but would she, much wiser than I, pick dullness over desiccation?
–
Daughter, five years later,
and I still think of you, unsure of whether I made the right choice.
Sometimes I dream about giving birth,
but even in my imagination, there are complications-
you come out the wrong way, or I bleed too much,
and I never once hold you against my heart.
Perhaps it is safer like this,
my cycle never skipping another month,
the routine distracting me from higher temperatures, rising seas,
I’ll sleep better knowing you won’t face any of it.
Does it really matter, though, how often I shed blood,
when I know it all ends in hemorrhage?
By Debbie Strange
Canada
The Bamboo Hut, Number 2, September 2023
By Debbie Strange
Canada
Frameless Sky, Issue 17, December 2022
By Debbie Strange
Canada
Shortlisted Vispo, 2023 Sonic Boom Annual Vispo Contest
Artist’s Statement:
A word-weaving of culled Wikipedia details regarding Treaty 1 (in my home province of Manitoba) affixed to stained watercolour paper, referencing the boil-water advisories on many First Nations in Canada.
By Monica Kakkar
India and United States of America
wind without color
hues widows of Vrindāvan—
forsaken in droves
Further reading:
Prompt: Stone of the Month – January 2024 “Intersection”|
Gallery of Poems, Prose and Paintings, at the Viewing Stone Association of North America (VSANA), February 01, 2024. https://www.vsana.org/ppp-17-feb-1–24
By: Ken Scott
Los Angeles, California, USA
It is time for us to end this.
It is time for us to end the confusion,
the congestion, the hustle culture,
the vicious competition for survival,
and the monetization
of human life itself.
It is time for us to end this.
It is time for us to end the original greed,
the self-entitled avarice,
the violent conquests,
the hate, the wars,
the tortures, the rapes,
and the senseless slaughter,
time for us to end the shootings,
the hangings, the lynchings,
the burnings, the bombings,
the colonizations, the thefts,
the genocides, the ethnic cleansings,
and every last form
of for-profit dehumanization.
It is time for us to end the superstitions,
the religious excuses, the pious ignorance,
and the selfish blindness
that have maintained our bondage
to countless centuries of mortality,
time for us to end our enslavement
to instruments of death and destruction,
time for us to end our vulnerability
to the weapons that have been wielded
against us all,
time for us to end all empires
of oppression and exploitation,
once and for all,
so that humanity is truly
free.
When we know
who we really are,
this corrupt world
ceases to exist.
It is time for us
to Awaken.
We are the Infinitesimal Infinite,
the Silence of all sounds in One,
the Nothingness that is Everything,
the Briefest Eternity
and the Omnipresent Now,
the Singularity of Pure Consciousness
from Everlasting to Everlasting.
And it is time for us to end
this world of darkness,
so that the World of Light,
Peace, Empathy, Compassion,
Wholeness, Supernatural Being,
Eternal Truth, Eternal Life,
and Eternal Love
embraces us all.
We already know
what to do:
we choose
to BE.
Copyright (c) 2024, Kenneth Irving Scott, Jr., All Rights Reserved
About this poem of affirmation: Ken Scott
“Beyond all reasonable doubt, world events have reached a rather disturbing and pivotal point in the totality of human history. From hostile wars of for-profit aggression to livestreamed genocides, the societies of this world have brought the entire collective of humanity to an unprecedented precipice. And it is from this precipice that we either soar above these nightmares or fall headlong toward our own extinction. I strongly believe that we have the ability to soar. Nevertheless, it requires an affirmation of who and what we are at our core, so that we may fulfill that path of enlightenment and ascension. To that end, I wrote and recited a poem, entitled “Formal Declaration of 9,” intended for this crossroads, in the hopes that many others would likewise recite this poem between now and the end of the year 2025, toward awakening that enlightenment and ascension in the collective soul of humanity.”